CHAPTER 17 APPENDIX RESOURCE: Appendix 17.1 – Choral Warm-up Piano Accompaniments CHAPTER 17 AUDIO PIANO DEMONSTRATIONS BY ERIC DINA: https://music.saconnects.org/wp-content/uploads/p.-357-Intro-to-Praise-to-the-Lord.mp3 p. 357 Intro to Praise to the Lord https://music.saconnects.org/wp-content/uploads/p.-358-1-Praise-to-the-Lord-first-two-bars-in-G.mp3 p. 358 (1) Praise to the Lord first two bars in G https://music.saconnects.org/wp-content/uploads/p.-358-2-Praise-to-the-Lord-first-two-bars-in-Db.mp3 p. 358 (2) Praise to the Lord first two bars in Db https://music.saconnects.org/wp-content/uploads/p.-358-3-Adjusting-the-key-D.mp3 p. 358 (3) Adjusting the key D https://music.saconnects.org/wp-content/uploads/p.-358-4-Adjusting-the-key-Db.mp3 p. 358 (4) Adjusting the key Db https://music.saconnects.org/wp-content/uploads/p.-358-5-Reprise-a-meaningful-phrase.mp3 p. 358 (5) Reprise a meaningful phrase https://music.saconnects.org/wp-content/uploads/p.-358-6-Underscore-for-Prayer.mp3 p. 358 (6) Underscore for Prayer https://music.saconnects.org/wp-content/uploads/p.-359-1-Segue-out-of-prayer.mp3 p. 359 (1) Segue out of prayer https://music.saconnects.org/wp-content/uploads/p.-359-2-Simplified-transition.mp3 p. 359 (2) Simplified transition https://music.saconnects.org/wp-content/uploads/p.-359-3-Chord-pads-as-quiet-underscore.mp3 p. 359 (3) Chord pads as quiet underscore https://music.saconnects.org/wp-content/uploads/p.-359-4-Male-voice-range-underscore.mp3 p. 359 (4) Male voice range underscore https://music.saconnects.org/wp-content/uploads/p.-360-1-Original-Harmonization.mp3 p. 360 (1) Original Harmonization https://music.saconnects.org/wp-content/uploads/p.-360-2-Arpeggiate-block-chords.mp3 p. 360 (2) Arpeggiate block chords https://music.saconnects.org/wp-content/uploads/p.-360-3-Broken-texture.mp3 p. 360 (3) Broken texture https://music.saconnects.org/wp-content/uploads/p.-361-1-Melody-in-right-hand-left-hand-arpeggiate.mp3 p. 361 (1) Melody in right hand left hand arpeggiate https://music.saconnects.org/wp-content/uploads/p.-361-2-Chord-soundings.mp3 p. 361 (2) Chord soundings https://music.saconnects.org/wp-content/uploads/p.-361-3-Embellish-and-connect.mp3 p. 361 (3) Embellish and connect https://music.saconnects.org/wp-content/uploads/p.-362-1-Original.mp3 p. 362 (1) Original https://music.saconnects.org/wp-content/uploads/p.-362-2-added-suspension.mp3 p. 362 (2) added suspension https://music.saconnects.org/wp-content/uploads/p.-362-3-Organ-octaves.mp3 p. 362 (3) Organ octaves https://music.saconnects.org/wp-content/uploads/p.-362-4-Accompaniment-style-chordal-style-in-4-4.mp3 p. 362 (4) Accompaniment style (chordal style in 4-4) https://music.saconnects.org/wp-content/uploads/p.-362-5-Original.mp3 p. 362 (5) Original https://music.saconnects.org/wp-content/uploads/p.-362-6-Make-me-a-Blessing-accomp-style.mp3 p. 362 (6) Make me a Blessing accomp style https://music.saconnects.org/wp-content/uploads/p.-362-7-Original.mp3 p. 362 (7) Original https://music.saconnects.org/wp-content/uploads/p.-362-8-Joy-in-the-SA-Accomp.-style.mp3 p. 362 (8) Joy in the SA Accomp. style https://music.saconnects.org/wp-content/uploads/p.-363-1-I-Have-Decided-sunday-school-style.mp3 p. 363 (1) I Have Decided sunday school style https://music.saconnects.org/wp-content/uploads/p.-363-2-I-Have-Decided-gospel-style.mp3 p. 363 (2) I Have Decided gospel style https://music.saconnects.org/wp-content/uploads/p.-363-3-I-Have-Decided-prayer-meeting-style.mp3 p. 363 (3) I Have Decided prayer meeting style https://music.saconnects.org/wp-content/uploads/p.-363-4-I-Have-Decided-climactic-finish.mp3 p. 363 (4) I Have Decided climactic finish https://music.saconnects.org/wp-content/uploads/p.-363-5-chord-choices-for-melody-tone-G.mp3 p. 363 (5) chord choices for melody tone G https://music.saconnects.org/wp-content/uploads/p.-366-1-Morning-Has-Broken.mp3 p. 366 (1) Morning Has Broken https://music.saconnects.org/wp-content/uploads/p.-366-2-Chords-under-the-hands.mp3 p. 366 (2) Chords under the hands https://music.saconnects.org/wp-content/uploads/p.-366-3-1-IV-V-I-Cadence.mp3 p. 366 (3) 1-IV-V-I Cadence https://music.saconnects.org/wp-content/uploads/p.-366-4-The-Light-Has-Come.mp3 p. 366 (4) The Light Has Come https://music.saconnects.org/wp-content/uploads/p.-366-5-Minor-cousins.mp3 p. 366 (5) Minor cousins https://music.saconnects.org/wp-content/uploads/p.-367-1-Fairest-Lord-Jesus-traditional-harmonization.mp3 p. 367 (1) Fairest Lord Jesus traditional harmonization https://music.saconnects.org/wp-content/uploads/p.-367-2-Fairest-Lord-Jesus-altered-harmonization.mp3 p. 367 (2) Fairest Lord Jesus altered harmonization https://music.saconnects.org/wp-content/uploads/p.-367-3-Diatonic-Seventh-Chords.mp3 p. 367 (3) Diatonic Seventh Chords https://music.saconnects.org/wp-content/uploads/p.-367-4-Major-Sevenths.mp3 p. 367 (4) Major Sevenths https://music.saconnects.org/wp-content/uploads/p.-367-5-Minor-Sevenths.mp3 p. 367 (5) Minor Sevenths https://music.saconnects.org/wp-content/uploads/p.-367-6-Dominant-seventh.mp3 p. 367 (6) Dominant seventh https://music.saconnects.org/wp-content/uploads/p.-368-1-Diminished-Seventh.mp3 p. 368 (1) Diminished Seventh https://music.saconnects.org/wp-content/uploads/p.-368-2-Voice-leading-using-seventh-chords.mp3 p. 368 (2) Voice leading using seventh chords https://music.saconnects.org/wp-content/uploads/p.-368-3-Chord-substitutions.mp3 p. 368 (3) Chord substitutions https://music.saconnects.org/wp-content/uploads/p.-369-1-Modulating-from-C-to-G-major.mp3 p. 369 (1) Modulating from C to G major https://music.saconnects.org/wp-content/uploads/p.-369-2-Spirit-of-the-Living-God.mp3 p. 369 (2) Spirit of the Living God https://music.saconnects.org/wp-content/uploads/p.-369-3-Modulate-up-by-Half-Step.mp3 p. 369 (3) Modulate up by Half Step https://music.saconnects.org/wp-content/uploads/p.-369-4-Modulate-up-by-Whole-Step.mp3 p. 369 (4) Modulate up by Whole Step https://music.saconnects.org/wp-content/uploads/p.-369-5-Half-step-lift.mp3 p. 369 (5) Half-step lift https://music.saconnects.org/wp-content/uploads/p.-370-1-IV-V-Modulation.mp3 p. 370 (1) IV-V Modulation https://music.saconnects.org/wp-content/uploads/p.-370-2-Mediant-mod-G-to-b-minor.mp3 p. 370 (2) Mediant mod G to b minor https://music.saconnects.org/wp-content/uploads/p.-370-3-Mediant-mod-g-minor-to-Bb-Maj.mp3 p. 370 (3) Mediant mod g minor to Bb Maj https://music.saconnects.org/wp-content/uploads/p.-370-4-Mediant-mod-up-a-minor-third.mp3 p. 370 (4) Mediant mod up a minor third https://music.saconnects.org/wp-content/uploads/p.-370-5-Mediant-mod-up-a-Major-third.mp3 p. 370 (5) Mediant mod up a Major third https://music.saconnects.org/wp-content/uploads/p.-370-6-Mediant-mod-Down-a-minor-third.mp3 p. 370 (6) Mediant mod Down a minor third https://music.saconnects.org/wp-content/uploads/p.-370-7-Mediant-mod-Down-a-Major-third.mp3 p. 370 (7) Mediant mod Down a Major third https://music.saconnects.org/wp-content/uploads/p.-371-Modulating-ii-V-I.mp3 p. 371 Modulating ii-V7-I https://music.saconnects.org/wp-content/uploads/p.-372-1-Make-My-Heart-a-Garden-chorus.mp3 p. 372 (1) Make My Heart a Garden chorus https://music.saconnects.org/wp-content/uploads/p.-372-2-Simplified-keyboard-support.mp3 p. 372 (2) Simplified keyboard support https://music.saconnects.org/wp-content/uploads/p.-372-3-Let-us-with-a-Gladsome-Mind.mp3 p. 372 (3) Let us with a Gladsome Mind https://music.saconnects.org/wp-content/uploads/p.-372-4-Let-us-with-a-gladsome-Mind.mp3 p. 372 (4) Let us with a gladsome Mind https://music.saconnects.org/wp-content/uploads/p.-372-5-Bass-part.mp3 p. 372 (5) Bass part https://music.saconnects.org/wp-content/uploads/p.-372-6-Soprano-part.mp3 p. 372 (6) Soprano part https://music.saconnects.org/wp-content/uploads/p.-373-1-The-Well-is-Deep.mp3 p. 373 (1) The Well is Deep https://music.saconnects.org/wp-content/uploads/p.-373-2-Pianist-play-countermelody-softer.mp3 p. 373 (2) Pianist play countermelody softer https://music.saconnects.org/wp-content/uploads/p.-373-3-Warm-up-modulation-dequence.mp3 p. 373 (3) Warm-up modulation sequence • CHAPTER 2 • CHAPTER 3 • CHAPTER 5 • CHAPTER 6 • CHAPTER 7 • CHAPTER 8 • CHAPTER 9 • CHAPTER 10 • CHAPTER 11 • CHAPTER 12 • CHAPTER 13 • CHAPTER 14 • CHAPTER 15 • CHAPTER 16 • CHAPTER 17 • CHAPTER 18 • CHAPTER 19 • CHAPTER 20 • CHAPTER 21 • CHAPTER 22 • CHAPTER 23 • POSTLUDE