CHAPTER 17 APPENDIX RESOURCE:

Appendix 17.1 – Choral Warm-up Piano Accompaniments

CHAPTER 17 AUDIO PIANO DEMONSTRATIONS BY ERIC DINA:

p. 357 Intro to Praise to the Lord

p. 358 (1) Praise to the Lord first two bars in G

p. 358 (2) Praise to the Lord first two bars in Db

p. 358 (3) Adjusting the key D

p. 358 (4) Adjusting the key Db

p. 358 (5) Reprise a meaningful phrase

p. 358 (6) Underscore for Prayer

p. 359 (1) Segue out of prayer

p. 359 (2) Simplified transition

p. 359 (3) Chord pads as quiet underscore

p. 359 (4) Male voice range underscore

p. 360 (1) Original Harmonization

p. 360 (2) Arpeggiate block chords

p. 360 (3) Broken texture

p. 361 (1) Melody in right hand left hand arpeggiate

p. 361 (2) Chord soundings

p. 361 (3) Embellish and connect

p. 362 (1) Original

p. 362 (2) added suspension

p. 362 (3) Organ octaves

p. 362 (4) Accompaniment style (chordal style in 4-4)

p. 362 (5) Original

p. 362 (6) Make me a Blessing accomp style

p. 362 (7) Original

p. 362 (8) Joy in the SA Accomp. style

p. 363 (1) I Have Decided sunday school style

p. 363 (2) I Have Decided gospel style

p. 363 (3) I Have Decided prayer meeting style

p. 363 (4) I Have Decided climactic finish

p. 363 (5) chord choices for melody tone G

p. 366 (1) Morning Has Broken

p. 366 (2) Chords under the hands

p. 366 (3) 1-IV-V-I Cadence

p. 366 (4) The Light Has Come

p. 366 (5) Minor cousins

p. 367 (1) Fairest Lord Jesus traditional harmonization

p. 367 (2) Fairest Lord Jesus altered harmonization

p. 367 (3) Diatonic Seventh Chords

p. 367 (4) Major Sevenths

p. 367 (5) Minor Sevenths

p. 367 (6) Dominant seventh

p. 368 (1) Diminished Seventh

p. 368 (2) Voice leading using seventh chords

p. 368 (3) Chord substitutions

p. 369 (1) Modulating from C to G major

p. 369 (2) Spirit of the Living God

p. 369 (3) Modulate up by Half Step

p. 369 (4) Modulate up by Whole Step

p. 369 (5) Half-step lift

p. 370 (1) IV-V Modulation

p. 370 (2) Mediant mod G to b minor

p. 370 (3) Mediant mod g minor to Bb Maj

p. 370 (4) Mediant mod up a minor third

p. 370 (5) Mediant mod up a Major third

p. 370 (6) Mediant mod Down a minor third

p. 370 (7) Mediant mod Down a Major third

p. 371 Modulating ii-V7-I

p. 372 (1) Make My Heart a Garden chorus

p. 372 (2) Simplified keyboard support

p. 372 (3) Let us with a Gladsome Mind

p. 372 (4) Let us with a gladsome Mind

p. 372 (5) Bass part

p. 372 (6) Soprano part

p. 373 (1) The Well is Deep

p. 373 (2) Pianist play countermelody softer

p. 373 (3) Warm-up modulation sequence